Let me start by saying this: for a Miami-set film which features drug dealers and rough neighbourhoods, Moonlight isn’t concerned about gang culture and the crime associated with it. Instead, the film is completely committed to showing the troubled life of Chiron, played by three different actors in three chapters, with each part detailing his experiences from childhood, to adolescence to manhood.
At its core, Moonlight is a classic coming-of-age story, but it has rarely been told in such a chilling yet delicate way. As a boy and a teenager, Chiron grows up in a poverty-stricken area with his drug-addicted mother (Harris). He has never had it easy and is constantly bullied at school. The film is deeply personal and it explores identity, sexuality and masculinity, and these themes are reflected through the character.
Chiron’s growth from a boy to a man plays out in a strangely fixed state, because it always feels like the present moment. I had to remind myself that it’s not the same actor portraying him in the three separate parts of his life. Alex Hibbert, Ashton Sanders and Trevante Rhodes all act uncannily similar in their shared role and they are utterly absorbing. I have never seen three actors depict one character so convincingly and for me, this is the best thing about the whole film.
The supporting cast are also impressive. Mahershala Ali’s drug-dealing Jaun, is at the centre of the first chapter as he takes young Chiron under his wing and helps manage his bad home life. Naomi Harris delivers a raw performance as Paula, who treats her son appallingly but her love for him still shines through. Her role is slightly stereotypical but I can’t fault her efforts. It’s her best work to date.
Despite being character-driven, Moonlight is very stylised and glowing with the vision of Barry Jenkins. Every shot choice, every scene, camera angle and every performance feels like it has the director’s stamp all over it. Jenkins obviously doesn’t care much for flashy dialogue, particularly since Chiron doesn’t speak a whole lot. Here we are given a film that complies with the age-old saying, “Show, don’t tell.”
The film moves at a restrained pace with a tone that’s consistently moody. So, if you like fast-paced films you might struggle with Moonlight. It’s a slow-burn but I urge you to stick with it because it’s very thought-provoking. It shows the importance of human connections in shaping who we are as people, and how others have an influence on the path we take in the future.
I expected Moonlight to be an insightful character-based drama and it certainly was that. My only minor issue is that the story doesn’t give us any major surprises. It’s a bit too straightforward at times, but other than that the film is very well executed. The film doesn’t grab you immediately, but as the story develops it soon hooks you though the characters and on the strength of the performances.
I’ve seen a lot of critics call this film a masterpiece. It’s not. It’s hardly going to change your life, but it’s still an important film. Not because it draws attention to race and sexuality, but how it reminds the audience that human growth and finding your identity takes time and it can be a lifelong process. Viewers from all backgrounds will be able to relate to this film. So make sure you watch it.
Quoted: “At some point, you gotta decide for yourself who you’re going to be. Can’t let nobody make that decision for you.”
Directed and written by: Barry Jenkins
Stars: Mahershala Ali, Naomi Harris, Ashton Sanders.
Distributors: A24 (US), Altitude Film Distribution (UK)
Run Time: 111 min