The Neon Demon (2016)

Director: Nicholas Winding Refn

Stars: Elle Fanning, Christina Hendricks, Keanu Reeves.

Nicholas Winding Refn is known for his provocative and subversive directing style, and the surrealist horror-thriller The Neon Demon, is another macabre addition to his filmography. Elle Fanning portrays Jesse, a sixteen-year-old girl who arrives in Los Angeles to launch her career as a model. As she enters the fashion world, she is assured that she has the qualities to thrive in the industry. Her beauty and youth provoke envy and rage from the other models, Sarah (Abbey Lee) and Gigi (Bella Heathcote), which develops into a sinister obsession. Also, Jesse has to deal with a very creepy motel manager (Keanu Reeves). What starts out as unassuming and quirky thriller, slowly transforms into a twisted and shocking film, in which Jesse is drawn into an inescapable nightmare.

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Even more so than Drive (2011), Refn’s The Neon Demon is an experimental and artistic film, which completely overlooks narrative and character development, for style and visual immersion. Baffling and unevenly paced, I initially had trouble getting into The Neon Demon, as it begins so oddly and mysteriously, I didn’t have a clue what to make of it. Is this an arthouse film? Is this a suspense film? These are the questions that were running through my head, but because the film’s visual style is so hypnotic and gripping, I found myself very much entranced and intrigued with the unfolding events. The early moments of the film are timid and teasing, and I expect that many viewers will lose interest, as the film starts out so tediously strange. There is a lot of weird photo shoots, catwalks, flashing images, and other nonsense. However, I must stress that you keep watching regardless, because The Neon Demon turns into something that will completely challenge your expectations.

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Refn’s film is very much focused on the image and the lengths one is willing to go, to achieve the perfect image. I don’t think The Neon Demon is supposed to be a satire on the fashion industry and some of the superficiality that can come from it, but instead, it appears to be a dark and pessimistic exploration of visual desire and obsession.

When Jesse joins the modelling agency, she becomes the star model and everyone seems to be besotted with her, including makeup artist, Ruby (Jena Malone). Gigi and Sarah are intrigued by her natural beauty but ultimately, they see her as a threat. Although this may be Refn’s intention, the characters are dreadfully crafted. None of them feel like real people. They are all so robotic and even Jesse whose the main character, isn’t that likeable because she has such a dry personality. As she becomes more at home in the fashion industry, she does grow more confident and even narcissistic, but I still found her pretty dull.

I admire the fact that there is nothing conventional about The Neon Demon. The tone, the pacing and the characters themselves are all so other-worldy. It manages to be horrific, ambiguous and quietly suggestive all at the same time. I do really like and appreciate Refn’s unconventional approach, as he appears so devoted to surprising and shocking us, but the problem is, much of the film doesn’t actually make much sense. In one particular instance, Jesse’s motel room gets invaded but there is no explanation to how her room was broken into, and the somewhat unstable motel manager just further adds to the mystery. There are many other bizarre moments, such as the neon triangles and strange symbols that populate the film.

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Overall: Although The Neon Demon is frustrating and baffling, there are still some greatly executed scenes, especially the finale, which literally comes out of nowhere. The film is ultimately absent of any logic and decent storytelling, but visually and stylistically, the film is excellent. It is certainly not one you can forget about in a hurry, but it is bogged down with too much uncertainty and misdirection. However, The Neon Demon is very unique and its visual brilliance, and unpredictable nature will surely leave you forever intrigued.

Quoted: “You know what my mother used to call me? Dangerous. ‘You’re a dangerous girl’. She was right. I am dangerous.”

Let me know what you thought of The Neon Demon in the comment section!

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Liam

5 thoughts on “The Neon Demon (2016)

  1. I just watched it tonight and I really enjoyed it. In some respects I don’t agree with you. I think the storytelling is strong and I didn’t find it illogical at all. Of course, you have to go in with an open mind and I try to accept as fact what is unfolding in front of my eyes. If I questioned it at every moment (I’m not implying that you did), I would find it probably a very odd set of circumstances – but I try to just absorb the director’s vision and embrace what he’s trying to tell us. I’m not strong on picking apart the deep themes a director is trying to convey but overall, visually and script-wise, I found it a very satisfying piece. I love it that Refn doesn’t dilute is vision, however bizarre it may be!

    Thanks for the great review and the tip!!

    Liked by 1 person

    1. I completely get what you’re saying. It’s obviously one of those films that really divides opinion. I think I did try to absorb the director’s vision, like you said. I like Refn as a director, he’s really original and inventive, but I just didn’t particular like the narrative, or characters, which is a big thing for me when I watch a film.

      Thanks for reading and commenting!

      Like

      1. Yes, I think that’s probably the strongest message in the film – that everyone is bloody awful. Only Jesse and her companion are nice people, and even she succumbs to the shallow nature of the industry.

        I’ll be back to read more!

        Liked by 1 person

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